CAL: Releases

Madison Beer as herself
Addison Rae as herself
Halle Berry as Zoe
Mariah Carey as referee
James Charles as Kelsey
CL as herself
HoYeon Jung as Jenny
Zendaya Coleman as herself

The video begins with a close-up of Madison’s closed eyes. The camera slowly zooms out to reveal her sitting on a chair in the middle of an all black room, surrounded by different women. All of them, including Madison, only have their underwear on. The music starts as we see the following text on screen:

"Madison Beer presents...
BITCHES THESE DAYS (Madhouse Chapter 2)"



Shots of Madison staring into the camera and singing are alternated with shots of her seemingly training. We see her with box gloves hitting a punching bag, jumping rope, and other typical boxer training.

As the song progresses we cut to a scene that is styled like a Tekken video game fight.



Two women are facing each other, with their health bars and names atop: “Zoe” can be read above Halle Berry, who is on the left, while “Zendaya” is on the right, wearing a two-piece that has “W.I.N.” stamped on her top and “#1” stamped on her ass. The chorus of the song progresses as the two women fight, while Madison and a few other girls cheer, seemingly for Zendaya. The latter easily knocks her opponent out after a few punches. We cut to a scene of Mariah Carey holding both girls arms, and as a defeated Zoe cries, Mariah lifts Zendaya’s hand up while she celebrates her win.

We then cut to Addison’s verse, and we see her in an all-white room. She’s dressed in black and teases the camera while she sings.



Her shots are alternated with a new fight. This time around, we see HoYeon Jung on the right, with “Jenny” atop her health bar, and CL on the left. The combat goes well into the second pre-chorus, and right as the chorus hits Mariah comes back on the pit to crown CL, who is wearing a piece of “Love Countdown” merch, the winner, as Jenny lies on the ground, brutally knocked out by the Alpha.

As the second chorus plays, we get shots of Madison and Addison alternatively. They’re making their way to the fight, the biggest of the night. We see them get to the fighting screen, their names atop each of their respective health bars, and stare into each other’s eyes defiantly. The music cuts abruptly and we hear Mariah Carey speak through a microphone.

“And now before we get to the fight we’ve all came here to witness, please stand up for our national anthem, performed by queer rising star Kelsey!”

Everybody stands and we’re shown a cut of heels walking towards the center of the ring. As the camera slowly pans up, we see Kelsey (James Charles) holding a microphone. She sings a portion of the national anthem before being booed off the stage due to the horrible vocals. Kelsey runs away crying like a maniac.



The music resumes as the countdown to the fight ends and a bell announces the beginning of the combat. We get shots of Madison & Addison punching each other, with close-ups of their punches and kicks. Even sound effects that enhance the fight. It is not clear whom is taking home the crown, as the fight is very tight. As the end of the song approaches, both women stand beside Mariah, who is about to announce the winner. But the camera zooms out right as the music ends, to reveal an unknown man staring at a computer screen, showing he was playing the videogame and forcing Madison and Addison fight. He seems to be giggling. The screen cuts to black and the screen shows the following text: “to be continued…”

We start the scene in a New York street, it's raining. We see Emma Stone wearing a big coat and holding an umbrella walking down the street. She stops at the corner when she sees a guy at a bus stop across the street. A bus stops and once it leaves the guy is gone. Emma turns and walks towards a coffee shop. She enters and leaves her umbrella to lay on the wall. She takes her coat off and walks to the counter. Emma points at the menu and the cashier nods, she pays him. Emma then walks to a table and sits down, she takes her phone out of her coat and begins to look at some pictures. She stops at one where she’s laughing at what a guy is whispering to her. She smiles.

We cut to Emma leaning back on a wall and a guy comes riding on a bicycle, she smiles at him and she approaches him. They begin to walk alongside the street and we see them laughing. They look at each other and smile and walk through the park. They stop at a brownstone and they enter. There’s a party going on.

We cut back to Emma at the coffee shop, she leans back on her chair and looks at the raindrops racing down the window. The cashier interrupts her and places her coffee mug on the table. She looks up at him and smiles, then looks back at the window. A guy walks but it's blurry and we can't see his face well though he looks very similar to the guy who was at the bus stop, Emma looks confused and follows him with her gaze until he cant see him anymore.She sighs and takes a sip from her cup and glances back at her phone where we see a picture of her putting gas in the car. She smiles sadly at it and locks her phone. She leans again in her chair.

In the foggy window she pictures her and the guy meeting and exchanging a conversation, he makes a motion with his hands describing something big, she laughs and  smile at each other, she nods and waves bye they both walk away.

She looks down at the coffee mug and takes another sip. She stands up and puts her coat on, she takes her umbrella and walks away from the coffee shop. She opens her umbrella and crosses the street, she walks alongside a few buildings and stops at one with a fountain. She fishes in her pocket and finds a penny, she tosses it at the fountain.

We stop to see her walk away and the video fades to black.

The video begins and it's in the past. It's 2005 and little Normani is seen running to her living room in excitement to watch the 106 & Park countdown on BET. Her grandmother is also in the living room watching the television and tells her to stop making all that noise in order to hear the tv properly. Normani sits directly in front of the television and rolls her eyes at her grandmother's complaint but quickly focuses her eyes on the television. The hosts of the popular television series announce the next video "one of the fastest videos to rise to the top of our countdown in the history of BET, we gon get into the #1 video in the world right now, NORMANI". Little Normani begins to dance and then the tv screen switches to current Normani and she is seen in a white crop top and jeans paying homage to Beyonce. It then flips to her wearing a white shirt and skirt with the year 1996 on it which is her birth year, Normani and some other girls are dancing in the street to the beat of the song, She spots a handsome shirtless man and she does the trick on the ground with her flexibility. She continues to dance and twerk on the fence with the other girls. The song then flips scenes to a basketball court and she dances with a man now, she does an amazing trick with a basketball and hits it with her booty. The video then switches scenes to a rain scene and Normani has a costume change, she dances in the rain, flips, and splits, and gives pure energy and sass, this scene is sensual and displays a different side to Normani. Finally, in the last scene, she changes costumes again and is wearing a Y2 K-themed black leather outfit while executing choreography in pairs in the street like a street party. The entire video was a nod to the late 90s and 2000s music videos and it fits the song as it has that throwback vibe. She paid homage to Beyonce, Ashanti, Britney, and Jlo.

1. Track 1
2. Track 2
3. Track 3
4. Track 4
5. Track 5
6. LOVE COUNTDOWN (feat. Wonstein)
7. Track 7
8. Track 9
9. Track 9
10. Track 10
11. Track 11
12. Track 12
13. Track 13
14. Track 14
15. Track 15

The video begins with a long still shot of Omar laying down on the floor beside a fire pit, all that can be heard is the fast whipping of the flames, the crickets, and the sounds of night. He has a stern serious look on his face as he looks upon the stars, trying to make up a figure. He then begins to grow tired slowly, as his eyes becomes heavier- and goes into a slumber. Thats when the song begins and the song name "TAMAGOTCHI" appears big and bold on the screen. We are now in Omar's dreams, where he dreams of a happy and free life. The first verse consists of him laying in bed with a significant male companion. As the chorus kicks in, we see his other friends enter his home in packs, seemingly ready for a party of some sorts. The second verse begins and we are transported into a huge house party Project X style. Omar, who is not known as a party guy is standing alone with himself and his thoughts, and he watches and observes his friends having fun. All he can think about is his man. He stands longer with a red solo cup, watching, and being with himself. The second chorus begins and Omar's man creeps up behind him and hugs him behind, wondering why he's not out enjoying himself, knowing he is not a party dude. His man tries to help him get more comfortable with the crowd by pushing him politely into the sea of people, Omar tried to resist but knows it's better for him to be with this friends than standing alone. Then before he knows it, as a joke his man pushed him into the pool, where a real-life Omar instantly wakes up from his dreams, and his eyes are the stars again. It was a dream, there was no man, no party, no nothing. The songs fades out and we see a long still shot of Omar laying beside the fire once again. The video fades.

[Intro]
Mmm

[Verse 1]
Coming up for oxygen
The world's the same, but something’s changing
You see it on the street again
Lighting up the strangest faces

[Pre-Chorus]
And it feels like that
Sweeter than the best you've ever had
And, oh, it takes me back
To being sixteen, dancing like you're under attack
[Chorus]
I don’t really care if it nearly kills me
I'd give you the world if you asked me to
I could break a glass just to watch it shatter
I'd do anything just to feel with you

[Post-Chorus]
Right
You, alright
Alright

[Verse 2]
I see it in your teeth again
There's a tightness when you're smiling
It creeps in through the backdoor when
You play pretend and break down crying

[Pre-Chorus]
And it feels likе that
'Cause you're wishing you had something you nеver had
But now we're going back
To being sixteen, flying like you’ll never collapse

[Chorus]
I don’t really care if it nearly kills me
I'd give you the world if you asked me to
I could break a glass just to watch it shatter
I’d do anything just to feel with you
I don't really care if it nearly kills me
Feel it in my fist like it's time to move
Quick, give me a glass, I'ma watch it shatter
I’d do anything just to feel with you
Related Songs
Be Cool
Maggie Rogers
Anywhere With You
Maggie Rogers
Begging for Rain
Maggie Rogers
[Post-Chorus]
Right
You, alright
You

[Bridge]
I know there's people everywhere with injustice on their lips
And there's this open wound bleeding between my hips
And I'd be lying if I told you I wasn't scared
I'm scared, I'm scared, I'm scared, I'm scared
I'm scared and I've got all this anger trapped so deep inside
That started burning the summer my heroes died
And I just wish that I could hear a new Bowie again
Again, again, again, again
Again, again, again, again, again
Again, again, again, again, again, oh, yeah

[Chorus]
I don't really care if it nearly kills me
I'd give you the world if you asked me to
I could break a glass just to watch it shatter
I'd do anything just to feel with you
I don't really care if it nearly kills me
I'd give you the world if you wanted to
I can feel it in my fists, it's time to shatter
I'd do anything just to feel with, with you
I'd do anything just to feel with you
I'd do anything just to feel with you

1. "Fiesta" - 0:18
Written by Christina Aguilera
Produced by Rafa Arcaute

Audio & Lyrics:

2. "Ya Llegue" - 3:03
Written by Christina Aguilera
Produced by Rafa Arcaute, Federico Vindiver

Audio & Lyrics:

3. "Somos Nada" - 3:02
Written by Christina Aguilera
Produced by Rafa Arcaute

Audio & Lyrics:

4. "Santo (feat. Bad Bunny)" - 3:03
Written by Christina Aguilera, Bad Bunny
Produced by Rafa Arcaute, Federico Vindiver

Audio & Lyrics:

5. "Pa Mis Muchachas (with Victoria Monet, Dua Lipa & Olivia Rodrigo)" - 3:37
Written by Christina Aguilera, Victoria Monet, Dua Lipa, Olivia Rodrigo
Produced by Rafa Arcaute, Federico Vindiver

Audio & Lyrics:

6. "La Reina" - 3:49
Written by Christina Aguilera, Luigi Castillo
Produced by Federico Vindiver

Audio & Lyrics:

7. "Toneladas" - 3:12
Written by Christina Aguilera
Produced by Federico Vindiver

Audio & Lyrics:

8. "Realización" - 0:35
Written by Christina Aguilera
Produced by Federico Vindiver

Audio & Lyrics:

9. "Hasta Los Dientes (feat. Doja Cat)" - 3:09
Written by Christina Aguilera, Doja Cat
Produced by Rafa Arcaute, Federico Vindiver

Audio & Lyrics:

10. "Sueltame (feat. Hailee Steinfeld)" - 2:54
Written by Christina Aguilera, Hailee Steinfeld
Produced by Rafa Arcaute, Federico Vindiver

Audio & Lyrics:

11. "Brujería" - 2:45
Written by Christina Aguilera
Produced by Rafa Arcaute, Federico Vindiver

Audio & Lyrics:

12. "Traguito" - 3:11
Written by Christina Aguilera
Produced by Rafa Arcaute, Federico Vindiver

Audio & Lyrics:

13. "Te Deseo Lo Mejor" - 2:45
Written by Christina Aguilera
Produced by Rafa Arcaute

Audio & Lyrics:

[Verse 1]
Not supposed to feel this way, I'm such a hypocrite
I always frown on love, it's giving me a tummy ache
(All these butterflies make me sick) Make me fly away
(It's some hocus pocus shit, I'm bewitched) Fly away

[Pre-Chorus]
Calling too much, you're breaking my phone
Mad when you do and sad when you don't
Chivalry, ooh, you taking my coat
Too cute, no, this ain't me now
Candlelight, out on a starry night
You brush my hair to the side
And you tell me I'm pretty
[Chorus]
Yuck, now you got me blushin'
Cheeks so red when the blood starts rushing
Yuck, that boy's so mushy
Sending me flowers, I'm just tryna get lucky
Yuck, lookin' at me all sucky
Yuck, quit acting like a puppy
Fuck, going all lovey-dovey on me

[Verse 2]
You got your hopеs high, thinking 'bout it most nights
Put me on a pedestal 'causе my love's incredible
Don't wait up for me
I can't make those plans, catch me if you can (Come catch me)
Just flew into Japan, come catch me (But don't you catch feels, that's so)

[Chorus]
Yuck, now you got me blushin'
Cheeks so red when the blood starts rushing
Yuck, that boy's so mushy
Sending me flowers, I'm just tryna get lucky
Yuck, lookin' at me all sucky
Yuck, quit acting like a puppy
Fuck, going all lovey-dovey on me

[Bridge]
All lovey-dovey on (Yuck)
All lovey-dovey on me (Why you do this to me?)
All lovey-dovey on (Yuck)
All lovey-dovey on me (Going all lovey-dovey on me)
All lovey-dovey on (Yuck)
All lovey-dovey on me (Why you do this to me?)
All lovey-dovey on (Fuck)
All lovey-dovey on me
(Why you do that? Why you do that? Why you do that?)
[Outro]
Yuck
Why you do that? Why you do that? (Mmm)
Yuck
Why you do that? Why you do that?
Yuck
(Why you do that to me?)
Yuck

It's another suburban summer
The street lights blink on
If you're passing the house on the corner
You'd think no one's home
But when I feel that resonation
Waving with the weight from
Bodies in the basement
And when you swing my way won't
Wait no way, no way, want
Bodies in the basement
When I feel that 8-0-8 drum
Waving with the weight from
Bodies in the basement
And when you swing my way won't
Wait no way, no way, want
Bodies in the basement
Your body on my, body on my
My bodies in the basement
Your body on my, body on my
Bodies in the basement
I'm still thinking about that summer
Lyin' awake all alone
Keep on passing the house on the corner
But there's nobody home
But when I feel that resonation
Waving with the weight from
Bodies in the basement
And when you swing my way won't
Wait no way, no way, want
Bodies in the basement
When I feel that 8-0-8 drum
Waving with the weight from
Bodies in the basement
And when you swing my way won't
Wait no way, no way, want
Bodies in the basement
Your body on mine
Body and mind
My body's in the basement
Your body on mine
Body and mind
My body's in the basement
Your body on mine
Body and mind
Bodies in the basement
Oh wait, oh wait, oh wait
No way, no way, no way
No way, no way, no way, no
Oh wait, oh wait, oh wait
No way, no way, no way
My body's in the basement

1. wave (feat. blackbear) [E]
Songwriters: Addison Rae Easterling, Matthew Tyler Musto, Ali Tamposi, Michael Dean, Adam Feeney, Louis Bell
Producers: Mike Dean, Frank Dukes

Audio and Lyrics:

2. motive (feat. Doja Cat) [E]
Songwriters: Addison Rae Easterling, Amala Zandile Dlamini, Nija Charles, Steven Franks, Tommy Brown
Producers: Murda Beatz, Tommy Brown, Mr. Franks

Audio and Lyrics:

3. yuck! [E]
Songwriters: Addison Rae Easterling, Charlotte Aitchison, Elizabeth Lowell Boland, Megan Buelow, Michael Joseph Wise, Nathan Ferraro
Producers: Mike Wise

Audio and Lyrics:

4. lips don't lie (feat. Lil Durk) [E]
Songwriters: Addison Rae Easterling, Durk Banks, Pharrell Williams, Elof Loelv, Madison Love, Adam Feeney
Producers: Frank Dukes

Audio and Lyrics:

5. nonsense
Songwriters: Addison Rae Easterling, Julia Michaels, Justin Tranter, Jonathan Percy Saxe, Leroy Clampitt,
Producers: JP Saxe

Audio and Lyrics:

6. six thirty [E]
Songwriters: Addison Rae Easterling, Priscilla Renea Hamilton, Nami, Tommy Brown, Robert Shea Taylor
Producers: Tommy Brown, Shea Taylor

Audio and Lyrics:

7. boys
Songwriters: Addison Rae Easterling, Ingrid Andress, Emily Warren, Ari Leff, Michael Pollock, Cass Lowe
Producers: Cass Lowe

Audio and Lyrics:

8. ice cream (feat. LISA)
Songwriters: Addison Rae Easterling, Lalisa Manobal, Julia Michaels, Johnny McDaid, Steve McCutcheon
Producers: Steve Mac

Audio and Lyrics:

9. soulmate
[Interlude]
Songwriters: Addison Rae Easterling, Charles Anderson, Tommy Brown
Producers: Addison Rae, Tommy Brown

Audio and Lyrics:

10. goodnight and go
Songwriters: Imogen Heap, Addison Rae Easterling, Charles Anderson, Michael Foster
Producers: Social House

Audio and Lyrics:

11. i don't do drugs [E]
Songwriters: Addison Rae Easterling, Ari Starace, Ali Tamposi, Rogét Chahayed
Producers: Y2K

Audio and Lyrics:

12. dress
Songwriters: Taylor Swift, Jack Antonoff, Addison Rae Easterling, Ali Tamposi
Producers: Jack Antonoff

Audio and Lyrics:

13. everytime [E]
Songwriters: Addison Rae Easterling, Ilya Salmanzadeh, Max Martin, Savan Kotecha
Producers: ILYA, Max Martin

Audio and Lyrics:

14. blame it on ur love [E]
Songwriters: Addison Rae Easterling, Alexander Guy Cook, Mikkel Ericksen, Sasha Sloane, Noonie Bae, Tor Erik Hermansen
Producers: A.G. Cook, Life Sim, Lil Data

Audio and Lyrics:

the video begins with a high shot of Seoul, as the song starts it jumps to a shot of a boutique as Nayeon storms out with a bunch of bags with a gleeful smile and starts to sing the chorus and her first verse to the camera as if she's talking to a boy she likes, it goes back and forth with a shot of Nayeon inside a limo wearing an outlandish outfit and hat with actress like makeup. the chorus comes and she is now on a platform with a bunch of dancers in the middle of a set of a town during the afternoon. she begins dancing with the dances a semi difficult choreography and an easy to follow point dance during the end of the chorus. the shot goes back to her walking through the city with the bags and she walks by a store with a bunch of retro TVs on the display of the store and then all of them start turning on and you see Wonstein singing his verse through the tv reenacting iconic Korean drama's with Nayeon as the love interest while the channels keep changing, the shot then goes back to Nayeon walking through the city and comes across a mall and goes into it and sees its empty and not lit up. the floors of the mall start lighting up like a disco floor and it transitions to her into a new bedazzling outfit, she lets her hair down and begins to take steps to the middle of the empty mall and starts dancing with her backup dancers with the same iconic point dance that is sure to have the people watching the video to try and after the song ends the title of the song comes up with credits on the bottom and the title of her album "ICON" shown afterwards.

As an extended version of the opening instrumental to "Boyfriend" plays, sporadic shots of Halsey walking down the entrance stairs to a club, and people in the club dancing sets the scene. Halsey is wearing a black miniskirt along with jet-black hair. The camera switches to Halsey sitting alone at the club’s lounge section looking bored and just drinking, while the first lyrics begin to be sung.



As she scans across the room, she spots a blonde girl, played by Euphoria star Hunter Schafer, dancing with her boyfriend, played by Elite hunk Manu Ríos, on the dance floor. Hunter is wearing a skin tone laced mesh bodysuit. The two girls lock eyes, smile at each other, and Hunter calls Halsey over to the dance floor. At first, Halsey is hesitant to get out of her seat and go towards her, but ends up doing so.

The universe must have divined this
What am I gonna do? Not grab your wrist?




Initially, the 3 of them are all dancing together, but then Halsey and Hunter get closer and closer to one another. They dance very seductively, maintaining direct sight of each other while doing so, as Manu is excluded and stares at them very obviously being sexually aroused.

I could be a better boyfriend than him
I could do the shit that he never did



As the song’s second verse plays, the camera finds the soon-to-be throuple (?) at the club’s bar ordering drinks. Manu is trying to initiate conversation, but it is clear Halsey and Hunter have no interest in what he is saying, instead focusing on each other. Halsey whispers into Hunter’s ear, then the two get up, leaving Manu and walking away.

If I could give you some advicе
I would leave with me tonight



On their way to the club’s bathroom, the girls hold each other’s hands.

Ladies first, baby, I insist

Inside the darkly lit bathroom, Halsey and Hunter stand face to face. With the sexual tension being thick enough to cut with a knife, Halsey sings her the last words of "Boyfriend"’s bridge and they precede to kiss.

Never would have left you alone
For someone else to take you home



That kiss transpires into an intense makeout session. The girls throw each other against the bathroom’s walls and are seen “going down” on one another. They enter a stall together, and the camera pans to the ceiling on which their shadows are displayed. The final chorus plays.



Cutting to a shot of them walking out of the bathroom, Halsey is now wearing the mesh bodysuit that Hunter was wearing earlier, and Hunter is now wearing the black miniskirt that Halsey was wearing earlier. Walking past Manu, who looks in awe of the two girls, Halsey and Hunter walk out of the club, and the song ends.

Thinking I'm gonna steal you from him
I could be such a gentleman
Plus, all my clothes would fit

Christina starts the video with her lips being the full image, then panning out, showing that she is sitting seductively at a small table. She begins to touch herself throughout, aligning with the lyrics. The camera pans to Christina in the pool during the chorus. All kinds of men huddle up to her while she does some slick choreography. We go inside the facility and see Christina in a massage room with plenty of women. The chorus comes in with Hailee, she is revealed as the masseuse that is working on Christina. They act seductively and go for a kiss, only to back out of it at the last second. Now all the girls are around them, all looking in awe. They all have their towels on at all times while they dance around both. We are now brought to what seems to be a relaxing room with a hot tub and mud bath in the middle. Christina and Hailee are lying down with cucumbers in their eyes, while both men and women are giving them pedicures/feeding them grapes. They are all infatuated and head on over to the hot tub and mud bath to fight against each other for their love. Fortunately, the girls are fighting each other in the tub while the men are in the mud. Both artists seem to be enjoying it as they're throwing grapes onto the fighters. The lyrics "lighting it up like alcohol and gasoline" come up. It Is shown that both women are out of the facility, and they both laugh as they wait for the building to blow up into flames. They continue to laugh while the last two choruses' are being played. Some body parts fall from the sky, they use them to touch themselves seductively. With blood splattered, and dust from the debris on their bodies, they end the video with a smile.

1. Track 1
2. Track 2
3. Track 3
4. Track 4
5. Track 5
6. Track 6
7. Boyfriend
8. Track 8
9. Track 9
10. Track 10
11. I am not a woman, I’m a god.
12. Track 12
13. Track 13
14. Track 14
15. Track 15

The video fades in on a show of a man tied down to a chair in an empty room and a spotlight shining on him. The camera is placed on the floor only to be seen Addison’s high stilettos. From this shot, YUCK! Appears in big green letters and the music fades in. Addison strolls towards the tied-up man, representing the man she is with, a very clingy man who won’t leave her alone. Addison then begins singing the lyrics to him very close to his body emphasizing every word she is saying, almost torturing him in a way. When the second verse kicks in, we see a sea of other women walking in the room towards the tied-up man, almost 5 different girls at least, all taking their turn expressing their frustration with the dirty creepy boy. After this, all the women walk out of the room and are transported straight into a 1990s fantasy mall filled with every high-end luxury store just for Addison and her girls! As the song plays, the powerful women stop by every store and absolutely demolish each store and leave with an armful of bags. Symbolizing how they don’t need a man and just need themselves!! After a great number of walking and strutting, the camera stills on all of their faces, pulling more focus on Addison as they sing along to the chorus of the song, and ultimately breaking out in choreography and poses. The choreography is very hard-hitting and energetic, perfect for a TikTok challenge to emerge from it. Addison and her girls bust out in splits and handstands and the camera pans to each girl showing off an impressive dance trick. The song is extended with an instrumental breakdown to further showcase the women and their dancing. After the dancing, the girls take a breather and the lyrics to the song appear again. Once again the camera stills on the girls walking looking hot and cunt. The camera then turns to random people coming out to look at the girls and wave to them and admire their beauty, grace, and elegance. They later spot a Photo Booth, and naturally all of the barges in making room for themselves to appear, the song fades out as the girls take their hot and quirky photos and snapshots of the pictures appear on the screen as the music stops. The video ends in black.

Spotify: https://open.spotify.com/playlist/3AcEbp7aaQ5hukaf7xA7tP?si=e4fbbdb0a8d54310

1. "wet dream" - 2:20
Written by Olivia Rodrigo & Harry Styles
Produced by Olivia Rodrigo & James Ford

Audio & Lyrics:

2. "be cool" - 2:57
Written by Olivia Rodrigo & Maggie Rogers
Produced by Olivia Rodrigo & Patrick Hyland

Audio & Lyrics:

3. "the walls are way too thin" - 3:41
Written by Olivia Rodrigo
Produced by Olivia Rodrigo & Dan Nigro

Audio & Lyrics:

4. "want want" - 3:08
Written by Olivia Rodrigo
Produced by Olivia Rodrigo & Thom Yorke

Audio & Lyrics:

5. "be sweet" - 3:15
Written by Olivia Rodrigo, Jack Tatum & Michelle Zauner
Produced by Olivia Rodrigo & Patrick Hyland

Audio & Lyrics:

6. "shatter" - 3:40
Written by Olivia Rodrigo
Produced by Olivia Rodrigo & James Ford

Audio & Lyrics:

7. "don’t get the deal" - 3:40
Written by Olivia Rodrigo & Jacob Bugden
Produced by Olivia Rodrigo & Patrick Hyland

Audio & Lyrics:

8. "anywhere with you" - 4:57
Written by Olivia Rodrigo, Del Water Gap & Maggie Rogers
Produced by Olivia Rodrigo & Patrick Hyland

Audio & Lyrics:

9. "symphony" - 5:11
Written by Olivia Rodrigo & Maggie Rogers
Produced by Olivia Rodrigo & James Ford

Audio & Lyrics:

10. "overdrive" - 3:14
Written by Olivia Rodrigo & Maggie Rogers
Produced by Olivia Rodrigo & Patrick Hyland

Audio & Lyrics:

11. "american teenager" - 4:18
Written by Olivia Rodrigo
Produced by Olivia Rodrigo & Patrick Hyland

Audio & Lyrics:

12. "sleep tight" - 3:38
Written by Olivia Rodrigo & Matthew Healy
Produced by Olivia Rodrigo & Dan Nigro

Audio & Lyrics:

13. "horses" - 5:05
Written by Olivia Rodrigo & Alex Turner
Produced by Olivia Rodrigo & Patrick Hyland

Audio & Lyrics:

14. "begging for rain" - 4:13
Written by Olivia Rodrigo
Produced by Olivia Rodrigo & Patrick Hyland

Audio & Lyrics:

15. "different kind of world" - 2:45
Written by Olivia Rodrigo
Produced by Olivia Rodrigo & Patrick Hyland

Audio & Lyrics:

[ROSALIA]
Juntas por la noche
Puestas pa'l derroche
Tu pelo azabache
La combi Versace
Juntas por la noche
Puestas pa'l derroche
Tu pelo azabache
La combi Versace
Que fue, que fue, que fue
Vestida con colabo
(Margiela colabo)
Medusa arriba y abajo
(Carla Bruni, wah, woh)
Donatella friendzy
(Kilos, kilos 'e tela)
Soltando los benjis
(Cheques, cheques)
Hace' party con la Fania
Jangueando con salseros
Bendicen toda' mis canciones
Para que tú te enamores
Juntas por la noche
Puestas pa'l derroche
Tu pelo azabache
La combi Versace
Juntas por la noche
Puestas pa'l derroche
Tu pelo azabache
La combi Versace
Rosí season coming
(Expensiva)
Uzi y Albinoni
Facetime con Milano
(Tim Cook)
Dios bendiga a Gianni
(Flores para Gianni)
Más fría que tu baby mama
Nos fuimos 7:30
Llego a la Met en pony (ah)
Pa' que tú te enamores
Juntas por la noche
Puestas pa'l derroche
Tu pelo azabache
La combi Versace
Juntas por la noche
Puestas pa'l derroche
Tu pelo azabache
La combi Versace

[Addison Rae]
Estilazo Versace saliendo del callejón
Desfilamos Dior custom en el Colmadón
Con la tanga Gucci en una cola de motor
Me llevo todo el mall montao' en un camión
Combino el rojo con el rosa
Vestida de blanco
Me visto de novia pero no soy tu esposa
Las tennis Valentino
Bizcocho de Moschino
Gargantilla de zafiro
Con diamante azul marino
Y si hoy llevo la ropa fake
Es porque soy la más real
Bish, me creo Dapper Dan
Me doy un flow de paca, me veo original
Soy la marca más cara que tú no va' a pode' capea'

[ROSALIA and Addison Rae]
Juntas por la noche
Puestas pa'l derroche
Tu pelo azabache
La combi Versace
Juntas por la noche
Puestas pa'l derroche
Tu pelo azabache
La combi Versace
Fue el roman-, fue el roman-
Colale , fue el roman-, hmmm
Se me ve el culo en Versace
Fue-fuera del bajo mundo, fuera
Colale, cola-, colale, mmm, mmm, mmm
Fuera, fuera, fuera
Fuera, fuera, fuera
Ah, ah
Se me ve el culo en Versace
Se me ve el culo en Versace
Del bajo mun-, del bajo mun-, yeh
Del bajo mun-, yeh
Mmm, ah, ah, mmm, cheque

[Intro]
I am not a woman, I'm a god
I am not a martyr, I'm a problem
I am not a legend, I'm a fraud
Keep your heart 'cause I already—

[Verse 1]
Every day, I got a smile where my frown goes
A couple bodies in the garden where the grass grows
I take 'em with me to the grave in a suitcase
Maybe I could be a different human in a new place

[Pre-Chorus]
Oh
I just wanna feel somethin', tell me where to go
'Cause everybody knows somethin' I don't wanna know
So I stay right here 'cause I'm bеtter all alone
Yeah, I'm bеtter all alone
But

[Chorus]
I am not a woman, I'm a god
I am not a martyr, I'm a problem
I am not a legend, I'm a fraud
So keep your heart 'cause I already got one
I am not a woman, I'm a god
I am not a martyr, I'm a problem
I am not a legend, I'm a fraud
Keep your heart 'cause I already—

[Verse 2]
Every morning, got a hollow where my heart goes
I never listen, but I see it with my eyes closed
I know you, I remember from the grass stain
Maybe I could be a better human with a new name

[Pre-Chorus]
Oh
I just wanna feel somethin', tell me where to go
'Cause everybody knows somethin' I don't wanna know
So I stay right here 'cause I'm better all alone
Yeah, I'm better all alone
But

[Chorus]
I am not a woman, I'm a god
I am not a martyr, I'm a problem
I am not a legend, I'm a fraud
So keep your heart 'cause I already got one
I am not a woman, I'm a god
I am not a martyr, I'm a problem
I am not a legend, I'm a fraud
Keep your heart 'cause I already— (Yeah)

[Bridge]
I'm ready to leave it, I'll go when I feel it
Got caught, both hands on the smokin' gun
I try, but I need it, it's hard, but I feel it
And it really does hurt when you love someone
Oh
I just wanna feel somethin', tell me where to go
'Cause everybody knows somethin' I don't wanna know
So I stay right here 'cause I'm better all alone
Yeah, I'm better all alone

[Chorus]
I am not a woman, I'm a god
I am not a martyr, I'm a problem
I am not a legend, I'm a fraud
So keep your heart 'cause I already got one
I am not a woman, I'm a god
I am not a martyr, I'm a problem
I am not a legend, I'm a fraud
Keep your heart 'cause I already got one

[Intro]
Hey, woman
Hey, woman

[Chorus]
Woman
Let me be your woman
Woman, woman, woman (Ayy)
I can be your woman
Woman, woman, woman (Ayy)
Let me be your woman
Woman, woman, woman (Ayy)
I can be your woman
Woman, woman, woman (Ayy)
[Verse 1]
What you need?
She give tenfold, come here, papa, plant your seed
She can grow right from her womb a family
Provide lovin' overlooked and unappreciated, you see (Yeah)
You can reciprocate
I got delicious taste, you need a woman's touch in your place
Just protect her and keep her safe
Baby, worship my hips and waist
So feminine with grace
I touch your soul when you hear me say, "Boy"
Let me be your woman

[Chorus]
Woman
Lеt me be your woman
Woman, woman, woman
I can be your woman
Woman, woman, woman
Lеt me be your woman
Woman, woman, woman (Ayy)
I can be your woman
Woman, woman, woman

[Verse 2]
I can be your lady, I'm a woman
I'm a motherfucker, but they got a problem
Put some babies in your life and take away the drama
Put the paper in a picture like a diorama
Gotta face a lot of people of the opposite
'Cause the world told me, "We ain't got the common sense"
Gotta prove it to myself that I'm on top of shit
And you would never know a god without the goddesses
Honest as fuckin' honest get
And I could be on everything
I mean I could be the leader, head of all the states
I could smile and jiggle it 'til his pockets empty
I could be the CEO, just look at Robyn Fenty
And I'ma be there for you 'cause you on my team, girl
Don't ever think you ain't hella these niggas dream girl
They wanna pit us against each other
When we succeedin' for no reasons
They wanna see us end up like we Regina on Mean Girls
Princess or queen, tomboy or king (Yeah)
You've heard a lot, you've never seen (Nah)
Mother Earth, Mother Mary rise to the top
Divine feminine, I'm feminine (Why?)

[Chorus]
Woman (Daddy)
Let me be your woman (Let me be your—)
Woman, woman, woman (Let me be your—)
I can be your woman
Woman, woman, woman (Daddy)
Let me be your woman (I know)
Woman, woman, woman (Daddy)
I can be your woman (I know)
Woman, woman, woman

[Outro]
Eee, eee, eee (Hey, woman)
(Woman)
Eee, eee, eee (Hey, woman)
Hey (Hey woman)
Mm-hmm, mm-hmm (Woman)
(Hey, woman)
(Hey, woman)

[Verse 1]
I feel like fallin' in love (Fallin’ in love)
I'm in the mood to fuck somethin' up (Tonight, I’m fuckin' somethin' up, baby)
I need some drink in my cup (I need a drink), hey (Pour me a drink)
I'm in the mood to fuck somethin' up (I'm in the mood to fuck somethin' up)

[Pre-Chorus]
I wanna go missin', I need a prescription
I wanna go higher, can I sit on top of you? (Oh-la-la-la-la-la-la-la)
I wanna go where nobody’s been (I wanna go where nobody’s been)
Have you ever had fun like this? Oh woah (Have you ever had fun? Yeah)

[Chorus]
We gon' fuck up the night, black lights
Spaceships fly, yeah (Spaceships fly)
Unapologetic when we fuck up the night, fuck up the night
We gettin’ fucked up tonight
We gon' fuck up the night

[Post-Chorus]
Bet you you'll see far
Bet you you'll see stars
Bet you you’ll elevate
Bet you you'll meet God
'Cause I feel like fallin' in love
I'm in the mood to fuck somethin' up
'Cause we gon' fuck up the night

[Verse 2]
What's in these four walls? You sexy, my love (Turn it up)
Don't miss this roll call, is you here or what? Yeah (Roll it up)
Show up, show up (Show up, show up), po' up, po' up, oh (Po' up, po' up)
You Mr. Nasty, I'll clean it up

[Pre-Chorus]
Go where nobody's been (Go where nobody's been)
Have you ever had fun like this? (Have you ever had fun? Yeah)
I wanna go missin', I need a prescription
I wanna go higher, can I sit on top of you?

[Chorus]
We gon' fuck up the night (Funk it up, funk it up), black lights
Spaceships fly, yeah (Spaceships fly)
Unapologetic when we fuck up the night (Funk it up, funk it up), fuck up tonight
We gettin' fucked up tonight
We gon' fuck up the night

[Post-Chorus]
Bet you you'll see far
Bet you you'll see stars
Bet you you'll elevate
Bet you you'll meet God
'Cause I feel like fallin' in love
I'm in the mood to fuck somethin' up
We gon' fuck up the night

[Verse 3]
Hypersonic, sex erotic
On my body, boy, you got it
Hit them 'draulics while I ride it
Got me actin' hella thotty
So excited, so exotic
I'm a seasoned professional
Squeeze it, don't let it go
Tease it, no self-control
I got time today (I got time today, I got time)
Oh, I (I got time today, I got time)
I can't wait to come out and play
Ooh, yeah, you
Come and cuff it, cuff it, cuff it, cuff it, baby
While I buss it, buss it, buss it for you, baby
Oh, baby
Anywhere, anytime
I don't mind, I don't mind

[Bridge]
Yeah (I don't mind)
For you (All for you)
I'm backin' the truck up, huh (Back that truck up)
For you (All for you, for you)
A bitch'll get fucked up (I fuck you up)
For you (All for you)
I'm puttin' my cup up (Put my cup up, yeah)
For you (All for you, you)

[Outro]
'Cause we gon' fuck up the night
Take flight (Woo), blindin' lights (Yeah)
Fuck it up, fuck it up, fuck it up
(Unapologetic when we fuck up the night)
Bet you you'll see stars (Night)
Bet you you'll go far (Night)
Bet you you'll levitate (Night)
Bet you you'll meet God (Party people, roll up)
Ooh (Yeah, huh)
We gon' fuck up the night (Yeah)
Spaceships fly
Fuck it up, fuck it up

[Intro]
Please, motherfuckers ain't stop—, please, motherfuckers
Please, mother—, please, mother—, please, motherfuckers
Please-please, mother—, please, mother—, please, mother—, please, mother—
Please, motherfuckers, please, mother—, please, mother—
Plеase-please, mothеrfuckers ain't stoppin' me
Please, motherfuckers ain't stoppin' me
Please, motherfuckers ain't stoppin' me
Please, motherfuckers ain't stoppin' me

[Verse 1]
(How the fuck you figure I ain't a motherfucking pimp)
(When all these niggas be jocking me?)
I pull up in these clothes, look so good
(Pimping till the end, make that cheese, Nitty Green)
(Bitch please, motherfuckers ain't stopping me)
'Cause I'm in that ho
(Playing all these boys like toys, I ain't going)
You know all these songs sound good
(Never hoeing, see they niggas acting like they pimps)
(Try to pimp me, niggas get broke for the end)
(Now I gotta go cause I'm out this bitch)
'Cause I'm on that ho
(Ho nigga— be so bad when I fall up in their place)
Deadass
(Be jealous ass ho with the fake on front)
(Clash about weed, blast a bitch, 9-4 in)
Deadass
(With that funky ass in the trunk)
I'm deadass
(Coming on the scene with the Tommy Hilfiger)
(Nigga self, what you got to make me rich?)
(Never get the pussy 'cause it's off limits, ho)
(Running game when you claiming that other bitch)

[Chorus]
It's not the diamonds
It's not the pearls
I'm that girl (I'm that girl)
It's just that I'm that girl (I'm that girl)
It's not my man (Ooh)
It's not my stance (Ooh)
I'm that girl (I'm that girl)
It's just that I'm that girl

[Verse 2]
From the top of the mornin', I shine (Ah-ooh)
Right through the blinds (Ah-ooh)
Touching everything in my plain view
And everything next to me gets lit up too (Ah)
You see it (Ah-ah-ah-ah), yeah
You see it when you look to me
I didn't want this power (I ain't want it)
I didn't want this power (I ain't want it)

[Bridge]
You know love is my weakness
Don't need drugs for some freak shit
I'm just high all the time, I'm out of my mind
I'm tweakin' (Tweakin', tweakin')

[Verse 3]
Freakin' on the weekend (Yeah)
I'm indecent (Yeah), let it begin (Ooh-ooh-ooh)
I be pullin' up in that '92 DeVille Cadillac with them vogues (Yeah), losin' my mind (Yeah)
Be-be-beastin' (Yeah, ooh-ooh-ooh)
Un-American (Yeah), I don't need no friends (Ah)
I been thuggin' for my (Uh) un-American life lights (Yeah) in these D-Flawless skies (Yeah)
Off the deep end (Yeah)
Such a heathen (Yeah), why they let me outside? (Yeah)
I pull relief in (Yeah)
Bring that beat in (Yeah), now I can breathe again (Yeah)
I be beatin' down the block (Yeah), knockin' Basquiats off the wall-all (Yeah, yeah)
That's how I ball
Cleanse me of my sins
My un-American life

[Outro]
Please, motherfuckers ain't stop—, please, motherfuckers
Please, mother—, please, mother—, please, motherfuckers
Please-please, mother—, please, mother—, please, mother—, please, mother—
Please, motherfuckers, please, mother—, please, mother—
Please-please, motherfuckers ain't stoppin' me
Please, motherfuckers ain't stoppin' me
Please, motherfuckers ain't stoppin' me
Please, motherfuckers

1. MOTOMAMI
Songwriters: ROSALIA, Pharrell Williams, El Guincho
Producers: ROSALIA, Pharrell Williams, El Guincho

Audio and Lyrics:

2. A PALÉ
Songwriters: ROSALÍA, Frank Dukes, El Guincho, David Rodriguez
Producers: Frank Dukes, El Guincho, Teo Halm

Audio and Lyrics:

3. CANDY
Songwriters: ROSALIA, El Guincho, Adam Feeney, Frank Dukes, Elena Rose
Producers: ROSALIA, El Guincho

Audio and Lyrics:

4. BIZCOCHITO [E]
Songwriters: ROSALIA, El Guincho, David Rodriguez
Producers: ROSALIA, El Guincho

Audio and Lyrics:

5. DIABLO
Songwriters: Rosalia Vila Tobella, Elena Rose, TAINY, Sky Rompiendo
Producers: ROSALIA, TAINY, Sky Rompiendo

Audio and Lyrics:

6. LA FAMA (feat. Omar Apollo)
Songwriters: ROSALIA, Omar Apollo, Elena Rose, TAINY, Prince Royce
Producers: ROSALIA, TAINY

Audio and Lyrics:

7. SAOKO [E]
Songwriters: ROSALIA, TAINY, El Guincho, Justin Quiles,
Producers: ROSALIA, Tainy, Justin Quiles

Audio and Lyrics:

8. TKN (feat. Miguel)
Songwriters: ROSALIA, Miguel, Sky Rompiendo, El Guincho
Producers: ROSALIA, Sky Rompiendo, El Guincho

Audio and Lyrics:

9. HENTAI [E]
Songwriters: ROSALIA, Pharrell Williams
Producers: Pharrell Williams

Audio and Lyrics:

10. DELIRIO DE GRANDEZA
Songwriters: ROSALIA, Pharrell Williams, El Guincho
Producers: ROSALIA, Pharrell Williams, El Guincho

Audio and Lyrics:

11. EMERGENCIA
Songwriters: ROSALIA, El Guincho, David Rodriguez, Didi Gutman
Producers: ROSALIA, El Guincho

Audio and Lyrics:

12. DESPECHÁ
Songwriters: ROSALIA, Chris Jedi, Dimelo Ninow, Gaby Music
Producers: ROSALIA, Gaby Music, Sir Dylan, OMEGA

Audio and Lyrics:

13. LA COMBI VERSACE (feat. Addison Rae)
Songwriters: ROSALIA, Addison Rae, El Guincho, TAINY
Producers: ROSALIA, El Guincho, TAINY

Audio and Lyrics:

14. CON ALTURA (feat. Harry Styles)
Songwriters: ROSALIA, Harry Styles, El Guincho, TAINY, Teo Halm
Producers: ROSALIA, El Guincho, Frank Dukes

Audio and Lyrics:

15. AUTE CUTURE
Songwriters: ROSALIA, EL Guincho
Producers: ROSALIA, EL Guincho

Audio and Lyrics:

16. LUNA LLENA
Songwriters: ROSALIA, Alejandra Ghersi, El Guincho, Cardopusher
Producers: ROSALIA, Alejandra Ghersi, El Guincho

Audio and Lyrics:

17. CUUUUUUUuuuuuute
Songwriters: ROSALIA, El Guincho, Noah Goldstein
Producers: ROSALIA, TAYHANA

Audio and Lyrics:

18. COMO UN G
Songwriters: ROSALIA, El Guincho, David Rodriguez
Producers: ROSALIA, EL Guincho

Audio and Lyrics: