CAL: Releases

The Video starts off how the original video started off it begins with CL standing in front of a largely empty road with a classic Ferrari behind her in the shot, she looks very bubbly and happy and seems to be talking to someone that's out of frame telling them to come to her, a man enters the frame G-Dragon comes closer to her and hugs her, the two have been shipped together by fans for years and seeing him play his love interest in the video would definitely give fans a nostalgic feeling.

during the chorus there are new shots of CL with Juice WRLD lipsyncing to the chorus together in an abandoned warehouse with colorful fireworks firing up behind them behind them, CL is wearing pair of sunglasses and the same coat she wears on the remix cover with "5 star" and a star printed on the back of the jacket in white, which she shows off in the video

throughout the video, it cuts back and shows CL & GD having fun as if it was a compilation of a year they had together some of them are like them on a race track wearing rollerblades, going through a car wash & playing with bubble toy guns and laughing, a shot of G-Dragon pushing CL on a shopping cart inside a tunnel while shes holding fireworks, on the back of a truck while the wind passes their hair as they cuddle, dancing in a blue-lit hotel room, a STUNNING shot of them on a boat in the middle of clear blue water & a beautiful shot of them dancing around in a jungle.

during the second verse you see Ty Dolla $ign on a hill with a beautiful landscape at the bottom, he starts to sing his verse as the shots go back and forth with CL & GD's clips
as the video progresses more and more, you start to see short shots of CL whether it's her silhouette in front of a red background lipsyncing to the song, or shots of her partying with G-Dragon and their friends and suddenly switches to shots of her in a white dress in the middle of a bunch of tall grass in the night alone staring to the side as if she reminisces about the past or shots of her at a beach lipsyncing to the song very emotionally.

the end of the video goes back to the abandoned warehouse where Ty joins CL & Juice WRLD for the end of the video as the camera pans up to show the moon and the video fades out

[Chorus]
I keep it juicy juicy, I eat that lunch (Yeah)
She keep that booty booty, she keep that plump (Yeah yeah)
That natural beauty beauty, yeah, yeah
If you could see it from the front, wait 'til you see it from the back, back, back, back, back
(Wait ’til you see it from the...)
Back, back, yeah, back, back, back
(Wait 'til you see it from the...)
Back, back, back, back, back
(Wait 'til you see it from the...)
If you could see it from the front, wait ’til you see it from the back

[Verse 1]
He like the Doja and the Cat, yeah
He like it thick, he like it fat, yeah
Like to keep him wanting more
He ask me, "Doja, where you at, huh?"
And all them niggas wanna know
How long it take to pull my pants up, mmh, mmh, mmh
Broke a fingernail and then some, mmh
Tryna squeeze into my True Religion denim, mmh, mmh, mmh
Sell it big, don't wanna sell you light
I don't buy it, where the cellulite?
He said the body unbelievable
Can't trust a big butt and a gemini-i-i-i-i

[Chorus]
I keep it juicy juicy, I eat that lunch (Yeah)
She keep that booty booty, she keep that plump (Yeah yeah)
That natural beauty beauty, yeah, yeah
If you could see it from the front, wait 'til you see it from the back, back, back, back, back
(Wait 'til you see it from the...)
Back, back, yeah, back, back, back
(Wait 'til you see it from the...)
Back, back, back, back, back
(Wait 'til you see it from the...)
If you could see it from the front, wait ’til you see it from the back

[Verse 2]
He spend the racks, he in the trap
I’m fit and fat, he live for that
Okay, he on his knees, attend the Mass
He beg for that, I bend and snap
She keep it juicy just for papi
Call me Buffy with the body
I just slipped into my savage and come over like a walkie
My fish like Takamaki, like a side of me with saké
So I put it in my mouth and suck it out like edamame, yeah
Hourglass
Coke bottle body, I got that
We got time and you're right on that
When I turn around and touch it, keep your eyes on that, that, that, that, that, that

[Chorus]
I keep it juicy juicy, I eat that lunch (Yeah)
She keep that booty booty, she keep that plump (Yeah yeah)
That natural beauty beauty, yeah, yeah
If you could see it from the front, wait ’til you see it from the back, back, back, back, back
(Wait 'til you see it from the...)
Back, back, yeah, back, back, back
(Wait 'til you see it from the...)
Back, back, back, back, back
(Wait 'til you see it from the...)
If you could see it from the front, wait ’til you see it from the back

[Bridge]
He like it plump, he need that
Need the rump and need the thighs, he eat that
Eat that up, and in the night, he see that
In the dark, and in the ride he keep that
Keep it running, like it plump, he need that
Need the rump and need the thighs, he eat that
Eat that up and in the night, he see that
In the dark, and in the ride he keep that
Keep it running

[Chorus]
I keep it juicy juicy, I eat that lunch (Yeah)
She keep that booty booty, she keep that plump (Yeah yeah)
That natural beauty beauty, yeah, yeah
If you could see it from the front, wait 'til you see it from the back, back, back, back, back
(Wait 'til you see it from the...)
Back, back, yeah, back, back, back
(Wait 'til you see it from the...)
Back, back, back, back, back
(Wait 'til you see it from the...)
If you could see it from the front, wait 'til you see it from the back

[Verse 1]
Lately I've been thinking about us
Blowing smoke in the air, listening to Stevie
Not enough uppers, too many downers
Got my mind taking dares, and sleeping ain't easy

[Pre-Chorus]
'Cause it's been six months since I last saw you but I hope you're okay
Can't believe you went from mother to angel in the space of a day
Can't help but wonder

[Chorus]
What does your life look like
Without me there?
Without me there?
Do I still cross your mind
Without me there?
Without me there?
Is heavеn all we thought it'd be?
Can you still hear my voicе now?
Are you watching down on me?
When all I see is stars
What does your life look like
Without me there?
Wish you were here
[Verse 2]
Maybe I was too uptight
Remember when you would call just to say that you love me?
Honestly everything's alright
It's just me and my thoughts, don't you worry 'bout a thing

[Pre-Chorus]
And it might be late wherever you're dreaming to the playlist we made
A bit of old school jazz and our favorite Stevie I know some things don't change
But I still wonder

[Chorus]
What does your life look like
Without me there?
Without me there?
Do I still cross your mind
Without me there?
Without me there?
Is heaven all we thought it'd be?
Can you still hear my voice now?
Are you watching down on me?
When all I see is stars
What does your life look like
Without me there?
Wish you were here
[Bridge]
흘러 버릴 시간 속 그댈 떠나보낼 마음이
영원히 난 없는걸요, no
I've tried to move on but I keep listening to the same songs
Just can't seem to give up on us
흘러 버릴 시간 속 그댈 떠나보낼 마음이
영원히 난 없는걸요, no
I've tried to move on but I keep listening to the same songs
Just can't seem to give up on us

[Chorus]
What does your life look like
Without me there?
Without me there?
Do I still cross your mind
Without me there?
Without me there?
Is heaven all we thought it'd be?
Can you still hear my voice now?
Are you watching down on me?
When all I see is stars
What does your life look like
Without me there?
Wish you were here

[Outro]
Lately I've been thinking about us
Blowing smoke in the air, listening to Stevie

[Verse 1]
How does it benefit you
If you run whenever, you cross an issue? (Issue)
I guess you'll learn the hard way (Yeah)
Frankly, I'm just tired of dealin' with you
With this, you don't listen
You're gonna mess this up
You keep doin' wrong, you gon' be alone (Yeah, yeah, yeah)
It's unfair that I'll lose us
And it hurts because

[Chorus]
I don't really wanna let you go (Yeah, yeah)
Let you go, let you go, let you go
I don't really wanna let you go
Let you go (No, oh), let you go, let you go
I don't really wanna let you go
Let you go (No, oh), let you go, let you go
I don't rеally wanna let you go
Let you go (No, oh), let you go, lеt you go
(Oh no, no-no)

[Verse 2]
I find it crazy how, this turned out
When I ain't even check for you (I ain't even check for you)
I'm all the way in it now, locked me down
And then you got too comfortable
Stopped doin' the things you used to do
All the things that made me fall for you
I can't let you play me
Don't deserve to claim me
I wish you did baby, oh
I don't wanna let you go

[Verse 1]
Over those hills, I bet you're somewhere dreaming
I take my pills every night and in the morning
When you wake up, ever wish I was beside you?
We could look out together in those hills forever

[Verse 2]
Over those hills, I bet you're somewhere dreaming
I take my pills every night and in the morning
When you wake up (Wake up, wish I was), ever wish I was beside you? (Beside, beside you)
We could look out together in those hills forever, hmm

[Verse 3]
So this is the feeling
You can't imagine that it's real
'Til you feel it, oh
Almost went numb
Thought I'd had enough
But the hurt is half the fun

[Break]
Da, da-ra-ra, da-ra-ra, da-ra-ra-ra, da, da-ra-ra, da-ra, da-ra-ra
Da, da-ra-ra, da-ra-ra, da-ra-ra-ra, da

[Outro]
We could look out together on those hills forever

[Verse 1]
I don't know how
You got this hold on me
You say jump, and I
Say how high
Rewrote this song
About a thousand times
You say, "Won't you try
One more line?"

[Pre-Chorus]
Tell me to go so that you can say
I'm the one that left you 'lone
Come running back
Just to watch you sit on your throne
Say pull the trigger
I'd kill for you, bleed for you
Do anything for you, yeah
But you just keep saying

[Chorus]
Oh, you say
Say it's not enough
Say it's not enough for you
Not enough for you
You say
Say it's not enough
Say it's not enough for you
Not enough for you

[Verse 2]
I think back to the best
Of you and I
Wanna close my eyes
Hit rewind
But then I slowly
Start to realize
All those happy times
Were yours, not mine

[Pre-Chorus]
Tell me to go so that you can say
I'm the one that left you 'lone
Come running back
Just to watch you sit on your throne
Say pull the trigger
I'd kill for you, bleed for you
Do anything for you, yeah
But you just keep saying

[Chorus]
Oh, you say
Say it's not enough
Say it's not enough for you
Not enough for you
You say
Say it's not enough
Say it's not enough for you
Not enough for you

[Bridge]
Running out of patience
All your expectations
One-sided conversation, oh
Running out of patience
Fuck your expectations
One-sided conversation, oh

[Chorus]
Oh, you say
Say it's not enough
Say it's not enough for you
Not enough for you
You say
Say it's not enough
Say it's not enough for you
Not enough for you

[Verse 1]
I think back to when you were mine
I think about you, oh, I think about you
Even with someone new by my side
I think about you, I still think about you

[Pre-Chorus 1]
Out with friends, I see your face
You start to pull me in
Say you're in a better place
I start to let you in

[Chorus]
Why'd I have to love something bad?
Can't you go and hurt someone new?
Why protect myself to give it all back?
How am I back to square one with you?
Oh, I've lost myself
In a vicious hell
Of thinking you'll change
When I know that you never do
Why'd I have to go back to you?
Why'd I have to fall for someone cruel?

[Verse 2]
I tell myself that it'll work this time
And I believe it, oh, I believe it
The only one who can't detect your lies
I believe 'em, oh, I believe 'em

[Pre-Chorus 2]
Out with her now, changed your mind
And everyone can see
You're trying to run, but you can't hide
That she looks just like me
(You know she does)

[Chorus]
Why'd I have to love something bad?
Can't you go and hurt someone new?
Why protect myself to give it all back?
How am I back to square one with you?
Oh, I've lost myself
In a vicious hell
Of thinking you'll change
When I know that you never do
Why'd I have to go back to you?
Why'd I have to fall for someone cruel?

[Bridge]
I want you to know, I want you to know
I want you to know, I want you to know
That I'm gonna be just fine
I want you to know, I want you to know
I want you to know, I want you to know
That you have no place in my life

[Chorus]
Why'd I have to love something bad?
Can't you go and hurt someone new?
Why protect myself to give it all back?
How am I back to square one with you?
Oh, I've lost myself
In a vicious hell
Of thinking you'll change
When I know that you never do
Why'd I have to go back to you?
Why'd I have to fall for someone cruel?

Dem-dem-dem-dem dem-dem
Dem-dem-dem-dem
Dem-dem-dem-dem dem-dem
Dem-dem-dem-dem
Uh, I'm in my prime, Optimus
Sagittarius, so you know I'm an optimist
Man, keep it all real, I'm a prophetess (okay)
So at least you took an L off your bucket list (bucket list)
It's time to make hits and it's time to diss
How you still dissin', still can't find some hits? (Okay)
Was it worth it, dummy? I ain't mind a bit
Still on that show gettin' no chips, time to dip
I, I, I, I-I, I-I, I (okay)
I'm still fly, just bagged a white guy (okay)
Ritchie like guy and I still eat Thai
Want the Nicki cheat code? Come on, bitch, nice try
Let's be real, all you bitches wanna look like me
Wanna be in demand, get booked like me
Wanna run up in the lab and cook like me
But ain't nan you hoes pussy good like me
Pussy so good his ex wanna still fight me
Face so pretty bitches wish they could slice me
She just mad 'cause he never bought her ice like me
I cut all my niggas off, but they would still wife me (still wife me)
Rap bitches tell they team, "Make 'em like Barbie"
Had to come off IG so they can't stalk me
All they do is copy looks, steal music, too
Want to see what bitches do when they lose the blue-print
I mean the pinkprint, ho, let it sink in
I spoke to Jay the other day, he's still the kingpin
He's still the only nigga that I woulda signed to
If I ain't sign to Wayne perfectly designed crew
'Cause we the big three, don't need a big speech
We made the biggest impact, check the spreadsheet
That's Lil Weezy to Barbie and Drizzy Drake
Niggas gettin' more cheese, kissy face
I'm a bad bitch, fuck the bitch (uh)
Bitch get slick, I'ma cut the bitch
I'm a bad bitch, suck some dick (okay)
If that bitch get slick, I'll cut the bitch
I'll cut up the bitch, I'll gut the bitch (okay)
Had to fuck up the bitch, man, fuck the bitch
Won't shoot her but I will gun-butt the bitch
When we say "Fuck the bitch" dick-up the bitch
She was stuck-up so my niggas stuck up the bitch
Still draggin' her so don't pick up the bitch
Get the combination to the safe, drug the bitch
Know the whole operation been bugged the bitch
I, I, I, I-I, I-I, I (okay)
I'm still fly, just bagged a white guy (okay)
Ritchie like guy and I still eat Thai
Want the Nicki cheat code? Come on, bitch, nice try
Let's be real, all you bitches wanna look like me
Wanna be in demand, get booked like me
Wanna run up in the lab and cook like me
But ain't nan you hoes pussy good like me
Pussy so good his ex wanna still fight me
Face so pretty bitches wish they could slice me
She just mad 'cause he never bought her ice like me
I cut all my niggas off, but they would still wife me (still wife me)
They would still wife me
They would still wife me
Yeah, him, too
He would still wife me
When it come to stealin' flows these birds is fluent
But they stutter when get asked 'bout the queen's influence
When it's clear they bite me, I'm flattered they like me
I don't wanna check bitches, tell 'em wear their Nikes
Barbie tings, there's Barbie tings
Big Barbie tings, there's Barbie tings
Big Barbie tings, there's Barbie tings
Barbie dream house, Barbie rings
There's Barbie beach house, Barbie Benz
Barbie white picket, Barbie fence
All tea, all shade, bitch, all offense
If you ever try to confiscate Barbie's Ken
I'ma put you in the box where my dollies been
Chop it up and the next stop garbage bin
'Cause you hoes too old to be gossipin'
I'm just tryna find out when the new Porsche come in

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12. Let You Go
13. I Don't Belong To You
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N/A

[Verse 1]
I was just coastin', never really goin' anywhere
Caught up in a web, I was gettin' kinda used to stayin' there
And out of the blue, I fell for you

[Chorus 1]
Now, you're lifting me up 'stead of holding me down
Stealing my heart 'stead of stealing my crown
Untangled all the strings 'round my wings that were tied
I didn't know him and I didn't know me
Cloud Nine was always out of reach
Now, I remember what it feels like to fly
You give me butterflies

[Verse 2]
Kiss full of color makes me wonder where you've always been
I was hiding in doubt 'til you brought me out of my chrysalis
And I came out new
All because of you

[Chorus 1]
And now, you're lifting me up 'stead of holding me down
Stealing my heart 'stead of stealing my crown
Untangled all the strings 'round my wings that were tied
I didn't know him and I didn't know me
Cloud Nine was always out of reach
Now, I remember what it feels like to fly
You give me butterflies, yeah
You give me butterflies
Ooh, mmm, mmm

[Chorus 2]
Now, you're lifting me up 'stead of holding me down
You're taking my hand 'stead of taking my crown
Untangled all the strings 'round my wings that were tied
I didn't know him and I didn't know me
Cloud Nine was always out of reach
Now, I remember what it feels like to fly
You give me butterflies
You give me butterflies

The video starts with a wealthy family ordering food at a prestigious restaurant. While looking at the menu they see that Chef Perry is the head chef and makes sure all of her customers are left satisfied. As they go through the menu Katy see's that this family is one of the harder ones to please. Co-head chef Minaj knows that she will have to be the one to send out the food in order for the best results.

They order their appetizers; Katy makes sure that all her sweat blood and tears go into making the food. One by one fewer chefs seem to be missing from the kitchen. Nicki wonders why, could they be fired or did they quit because of Katy's obsession to her culinary arts. She still continues the dish as the family awaits for their entree's to be ordered.

The hot male of the family seems to be enjoying the food the most so he tells the waitress to make sure that chef Perry & Minaj surprise him with their talents. The rest of the family are enjoying the food but seem to all share a similar distinct flavor that they can't really describe, but it is scrumptious. Back to chef Perry finishing the meal and laughing manically knowing her best creation is almost finished. Chef Minaj adding the final touches and see's that the other chefs are completely missing which now peaks her curiosity, but as a chef she knows she must complete her duty.

Nicki's verse starts as she starts serving the food to the family and making sure the gold top goes to the hot male and with all the waiters/waitresses they open up the pans and the food is shown to them all. As they see the enriched food they start taking their first bites. They love it but as they go deeper into their food they see human body parts. They all scream, cough from shock and start panicking. The only one who seems to keep calm is the adult male who enjoys the fact that the dish is what it is. As chef Minaj 's verse ends she then starts panicking and so do the other waiters/waitresses.

While everything is going into anarchy chef Perry comes out to meet the adult male who is enjoying her creation. She smiles and shows her cuts and marks that she has used into his dish while licking her finger. He is in love and both Katy and him start eating like frenzy animals together while the background is in utter chaos. The video ends as it pans out of the restaurant to the exterior.

[Verse 1]
He's got the look, he's got the touch
He's got the eyes that make me crush
And he's not one to make a scene
But he deserves the spotlight
He ain't from 'round this side of town
But he fits in to every crowd
And he knows how to do my body and my heart right

[Pre-Chorus]
I know a lady should always be modest
But I'm just being honest

[Chorus]
I don't wanna be a bragger
But my man's a heart attacker
Like McConaughey and Jagger
Hotter than a Saturday night
I can't help it that I flaunt him (All the time)
I understand why you would want him (I don't mind)
And you can keep up all the chatter 'bout my happy ever after
'Cause all that really matters is he's mine

[Verse 2]
I've got his nights, I've got his name
There ain't no shame in this girl's game
If he was yours, you'd do the same
Without apologizing

[Pre-Chorus]
And he'd never tell you he don't want attention
But he's just too damn good not to mention

[Chorus]
I don't wanna be a bragger
But my man's a heart attacker
Like McConaughey and Jagger
Hotter than a Saturday night
I can't help it that I flaunt him (All the time)
I understand why you would want him (I don't mind)
And you can keep up all the chatter 'bout my happy ever after
'Cause all that really matters is he's mine

[Bridge]
If he were a wine, he'd be the shelf at the top (Top)
If he were a house, he'd be the end of the block (Block)
Walked up to my heart and went, "Knock, knock, knock"
So I've got to show him off

[Chorus]
I don't wanna be a bragger
But my man's a heart attacker (Oh, he is)
Like McConaughey and Jagger
Hotter than a Saturday night
I can't help it that I flaunt him (All the time)
I understand why you would want him (I don't mind)
And you can keep up all the chatter 'bout my happy ever after
'Cause all that really matters is he's mine

Go figure
You were the trigger
You brought me to an obstructed view
When you knew the picture was bigger
Who am I kiddin'?
Knew from the beginnin'
You'd ruin everything, you do it every time
You are my enemy, you are no friend of mine, muhfucker, uh
You muhfuckin' right
You muhfuckin' right, I'm bitter
You muhfuckin' right, I'm triggered
You muhfuckin' right, I
Wanna fuck you right now (hmm)
I just turned the lights out now
And you know when the sun go down
That's when it would all go down
Been a minute, been a while
Ain't let nobody hit it since you hit it
I know you always know what to do wit' it
But ain't no me and you without you in it
Damn, I'm 'bout to burn this bitch down
Think I need to lie down
'Cause I'm not tryna wild out now
But right now
Don't know what I'm capable of
Might fuck around and go crazy on cuz
Might fuck around, have to pay me in blood
This ain't the way that you want it
Might catch a case in this bitch
Don't let me catch you face-to-face in this bitch
Tryin' my hardest not to disrespect you
After what you did, man, what you expected?
You muhfucker, uh
You muhfuckin' right
You muhfuckin' right, I'm bitter
You muhfuckin' right, I'm triggered
You muhfuckin' right, I, uh
Tryna let the time fly (yeah)
Tryna let the time go by
Tryna let the time heal all
Tryna let the time kill all
Of our memories
All you meant to me
All that history
All that's history
I'll calm down eventually
Fall back eventually, please
Call me back eventually
Fall back into me, yeah
Maybe I'm overreacting
Baby, I don't know what happened
You know all of my bad habits
You know it's hard for me to control that shit, man
'Cause when I get mad, I get big mad
Should have never did that, get back
'Bout to feel the wrath of a menace
In my bag, in my feelings
I'm a bad lil' bitch, and uh
I'm triggered, when I see your face
Triggered, when I hear your name
Triggered, I am not okay, uh
You need to stay out my way
Triggered, when I see your face
Triggered, when I hear your name
Triggered, I am not okay, uh
You need to stay out of my way, uh
You need to stay out of my way (yeah)
You need to stay out of my way
Oh, oh-oh, I, yeah-yeah

The video is very simple since they couldn't do a big production during the pandemic. It starts with Kelsea wearing a white suit in front of a black background. She dances around to the song and signs it at the same time. This shot of her is spliced with images and video clips of her and her husband Morgan Evans. The lyrics of the song also play in the background.

The first clip is of him proposing to her. It shows him leading her out of the house and her looking confused and excited as her family also comes down. He gets down on one knee and she is super excited and says yes.


One of the clips is of their wedding. It shows the couple at the altar giving a toast to their future before walking down the aisle for the first time as husband and wife.


Another clip is of the two of them at an award show. They are separated so they can each take individual shots but Kelsea runs behind him and photobombs his pictures. Once he notices they take some pictures together then run off the carpet.


An additional clip is of the two of them on a walk in the Nashville countryside. The two are walking along the path with Morgan filming Kelsea who is walking in front of him. She turns to look at him and when she notices he's filming she laughs and runs to turn the camera off.



At the end of the video, it goes back to the original shot and Kelsea pulls Morgan in from out of the shot and they kiss to end the video. A screen plays after the song ends with her album cover reminding everyone watching to go pre-order it and to stream all the already released singles bragger, hole in the bottle, and the other girl.

Verse 1: Jennie & Jisoo]
Uri eomman maeil naege malhaesseo
Eonjena namja joshimharago
Sarangeun machi buljangnan gataseo
Dachinikka, eh
Eomma mari kkok majeuljjido molla
Neol bomyeon nae mami tteugeopge daraolla
Duryeoumbodan neol hyanghan kkeullimi
Deo keunikka, eh

[Pre-Chorus: Rosé, Lisa & Jennie]
Meomchul su eomneun i tteollimeun, on and on and on
Nae jeonbureul neoran sesange da deonjigo shipeo
Look at me, look at me now, ireoke neon nal aetaeugo itjana
Kkeul su eopseo

[Chorus: Rosé, Jennie, Lisa & Jisoo]
Uri sarangeun buljangnan
(Oh-oh, oh-oh)
My love is on fire (Ooh)
Now burn, baby, burn
Buljangnan
(Oh-oh, oh-oh)
My love is on fire (Ooh)
So don't play with me, boy
Buljangnan
[Verse 2: Lisa]
Oh no, nan imi meolli wabeoryeonneungeol
Eoneusae i modeun ge jangnani anin geol
Sarangiran ppalgan bulsshi
Bureora baram deo keojeoganeun bulkkil
Ige yaginji doginji uri eommado molla
Nae mam doduginde wae gyeongchaldo molla
Bul buteun nae shimjange deo bueora neoran gireum
Kiss him, will I diss him?
I don't know, but I miss him
Jungdogeul neomeoseon i sarangeun crack
Nae shimjange saekkareun black, ah!

[Pre-Chorus: Jennie & Jisoo]
Meomchul su eomneun i tteollimeun, on and on and on
Nae jeonbureul neoran bulkkil sogeuro deonjigo shipeo
Look at me, look at me now, ireoke neon nal aetaeugo itjana
Kkeul su eopseo

[Chorus: Rosé, Jennie, Lisa & Jisoo]
Uri sarangeun buljangnan
(Oh-oh, oh-oh)
My love is on fire (Ooh)
Now burn, baby, burn
Buljangnan
(Oh-oh, oh-oh)
My love is on fire (Ooh)
So don't play with me, boy
Buljangnan
[Bridge: Jennie & Rosé]
Geotjabeul suga eomneun geol
Neomuna ppalli peojeo ganeun i bulkkil
Ireon nal meomchuji ma
I sarangi oneul bameul taeweobeorige
(Ooh-ooh)

[Instrumental Outro]

[Part I]
[Intro: Future]
Astro, yeah
Sun is down, freezin' cold
That's how we already know, winter's here
My dawg would probably do it for a Louis belt
That's just all he know, he don't know nothin' else
I tried to show 'em, yeah
I tried to show 'em, yeah, yeah
Yeah, yeah, yeah
Goin' on you with the pick and roll
Young La Flame, he in sicko mode

[Part II]
[Verse 1: Travis Scott]
Woo, made this here with all the ice on in the booth
At the gate outside, when they pull up, they get me loose
Yeah, Jump Out boys, that's Nike boys, hoppin' out coupes
This shit way too big, when we pull up, give me the loot
(Gimme the loot!)
Was off the Remy, had a Papoose
Had to hit my old town to duck the news
Two-four hour lockdown, we made no moves
Now it's 4 a.m. and I'm back up poppin' with the crew
I just landed in, Chase B mixes pop like Jamba Juice
Different colored chains, think my jeweler really sellin' fruits
And they chokin', man, know the crackers wish it was a noose

[Bridge: Travis Scott & Future]
Some—Some—Some—Someone said
To win the retreat, we all in too deep
Pl—Pl—Playin' for keeps, don't play us for weak (Someone said)
To win the retreat, we all in too deep
Pl-Pl-Playin' for keeps, don't play us for weak

[Verse 2: Travis Scott & Future]
Yeah, this shit way too formal, y'all know I don't follow suit
Stacey Dash, most of these girls ain't got a clue
All of these hoes I made off records I produced
I might take all my exes and put 'em all in a group
Hit my eses, I need the bootch
'Bout to turn this function to Bonnaroo
Told her, "Hop in, you comin' too"
In the 305, bitches treat me like I'm Uncle Luke
(Don't stop, pop that pussy!)
Had to slop the top off, it's just a roof, uh
She said, "Where we goin'?" I said, "The moon"
We ain't even make it to the room
She thought it was the ocean, it's just the pool
Now I got her open, it's just the Goose
Who put this shit together? I'm the glue

[Bridge: Travis Scott & Future]
Someone said
Shorty FaceTimed me out the blue
Someone said
Pl—Playin' for keeps
Someone said, motherfucker—someone said
Don't play us for weak

[Part III]
[Intro: Travis Scott]
Yeah!
Astro, yeah, yeah
(Tay Keith, fuck these niggas up!)
Ayy, ayy

[Chorus: Travis Scott & Future]
She's in love with who I am
Back in high school, I used to bus it to the dance (Yeah)
Now I hit the FBO with duffels in my hands
I did half a Xan, 13 hours 'til I land
Had me out like a light, ayy, yeah
Like a light, ayy, yeah

[Verse 3: Travis Scott & Future]
Like a light, ayy, slept through the flight, ayy
Knocked for the night, ayy
767, man, this shit got double bedroom, man
I still got scores to settle, man
I crept down the block (Down the block)
Made a right (Yeah, right)
Cut the lights (Yeah, what?), paid the price (Yeah)
Niggas think it's sweet (Nah, never), it's on sight (Yeah, what?)
Nothin' nice (Yeah), baguettes in my ice (Aw, man)
Jesus Christ (Yeah), checks over stripes (Yeah)
That's what I like (Yeah), that's what we like (Yeah)
Lost my respect, you not a threat
When I shoot my shot, that shit wetty like I'm Sheck (Bitch)
See the shots that I took (Ayy), wet like I'm Book (Ayy)
Wet like I'm Lizzie
I be spinnin' Valley, circle blocks 'til I'm dizzy (Yeah, what?)
Like where is he? (Yeah, what?)
No one seen him (Yeah, yeah)
I'm tryna clean 'em (Yeah)

[Chorus: Travis Scott & Future]
She's in love with who I am
Back in high school, I used to bus it to the dance
Now I hit the FBO with duffels in my hands (Woo)
I did half a Xan, 13 hours 'til I land
Had me out like a light (Like a light)
Like a light (Like a light)
Like a light (Like a light)
Like a light

[Verse 4: Travis Scott]
Yeah, passed the dawgs a celly
Sendin' texts, ain't sendin' kites, yeah
He said, "Keep that on lock"
I say, "You know this shit, it's stife," yeah
It's absolute, yeah (Yeah), I'm back, reboot (It's lit)
LaFerrari to Jamba Juice, yeah (Skrrt, skrrt)
We back on the road, they jumpin' off, no parachute, yeah
Shawty in the back
She said she workin' on her glutes, yeah (Oh my God)
Ain't by the book, yeah, this how it look, yeah
'Bout a check, yeah (Check), just check the foots, yeah
Pass this to my daughter, I'ma show her what it took (Yeah)
Baby mama cover Forbes, got these other bitches shook
Yeah

The music video for Yungblud's song titled "weird!" starts with a cut where you can hear Yungblud's manager asking a question to him behind the camera. "If the world's going to end tomorrow, what would be the last story i told?" he asks, Yungblud repeats the question and as soon as he starts thinking about it the scene cuts to him being on the rooftop, looking straight to the camera while there were effects put on the weather and it was made like time was passing so fast that the weather was changing colors. The song can be heard at this moment. The scene changes to Yungblud pushing the camera away and making the scene transition to an "indoor scene" where the camera starts going from the entering door to Yungblud's room in a very fast pace. The camera stops above Yungblud who's laying on the bed, positioned underneath the camera. You can hear Yungblud mouthing the words of the first verse while the camera's softly zooming in. After a quick pan to the Jesus piece on the wall, Yungblud gets his phone and the scene directly changes to be shown through the singer's phone instead of the camera's. You can see quick shots of him singing in front his garage, on top of his bed, on top of the roof and through his PhotoBooth screen. Quick shots of his bandmates playing their instruments can be seen popping up on screen for a few seconds here. As we get to the first chorus, Yungblud starts jumping around in front of his garage, plays guitar on his rooftop while showing off his energy. His energy, facial expressions and the camera effects add more of a "90s alternative band music video" touch to the video. The laptop screen bits can be seen popping up again during the second verse. His parents make cameo here when the part where he references them comes on and he can be seen taking some stuff from his refrigerator one by one. He continues doing weird stuff towards the camera and this time his guitarist & photographer/the director of this video joins him on PhotoBooth. The visual effects on him can be visibly seen throughout the video. The video ends with Yungblud taking one last thing from the refrigerator...and it turns out to be toilet paper. He looks at the camera and gives like a "thank god!" look...wonder what is he going to do with that?

1. Track 1
2. hole in the bottle
3. bragger
4. the other girl (with Halsey)
5. Track 5
6. Track 6
7. Track 7
8. Track 8
9. Track 9
10. Track 10
11. Track 11
12. Track 13
13. Track 13

*contents of album are subject to change

The video starts off with a teacher lecturing in her class. The posters and classroom setup signifies that this takes place in the 80s. The board on the wall says show & tell and she calls up one of the students to present. One of the students then comes up in front of the class, holding what appears to be a VHS tape, the cover of it is just white and has “Future Nostalgia” written on it with sharpie. She slides it in the VHS recorder and the classroom goes dark. we then see “Dua Lipa - Soul Control” on the screen, with Dua appearing. Dua is seen in a pub that is brightly lit pink. She is wearing a grey suit with the jacket wide open with a black bra, white sneakers and a scrunchie. The camera zooms in her face and then see her walk to the dance floor alone with smoke surrounding the place. She then starts to dance to the chorus and we switch back to the classroom set up where we see the little girl replicating Dua’s moves, with shots of her classmates and teacher looking shocked. The scenery in the video changes in the second chorus, with Dua then appearing to look chic with her blonde hair down, a red crop top and red plaided skirt. As the song goes on, we see more people with 80s style surrounding Dua and dances along replicating her moves as well. In the classroom set up, we see teachers open the door complaining about the loud music but also the little girls teacher changing her mind and nodding her head to the song. At the end of the song, we see the girl stop with her hand in the air looking up as Dua smiles and winks to the screen before it turns black. A silence occurs for a few seconds then the classmates and teacher then get up and rave with applauses and we zoom in to the girls face, looking very sweaty but happy.

[Intro]
From the breaking of the day to the middle of night
From the breaking of the day to the middle of night
From the breaking of the day to the middle of night
From the breaking of the day to the middle of night

[Verse 1]
Summertime and I'm caught in the feeling
Getting high and I'm up on the ceiling
I don't know what you're doing in New York
All I know is you ain't on my bedroom floor

[Pre-Chorus]
I'm seein' you undressed in my room
But it's just a memory, a fantasy
Are you in your house? Are you going out?
Are you going crazy like me?
From the breaking of the day to the middle of the night

[Chorus]
I try to forget about you, baby
And I die when I think of you with someone else and
I don't know why, I don't know why you're dancing in my mind
From the breaking of the day to the middle of the night
All the time
From the breaking of the day to the middle of the night
All the time

[Verse 2]
Everyone's been wearing your perfume
Everything is reminding me of you
I don't know what I'm doing in New York
But all I know is you ain't walking through the door

[Pre-Chorus]
I'm seein' you undressed in my room
But it's just a memory, a fantasy
Are you in your house? Are you going out?
Are you going crazy like me?
From the breaking of the day to the middle of the night

[Chorus]
I try to forget about you, baby
And I die when I think of you with someone else and
I don't know why, I don't know why you're dancing in my mind
From the breaking of the day to the middle of the night
I try to forget about you, baby
And I die when I think of you with someone else and
I don't know why, I don't know why you're dancing in my mind
From the breaking of the day to the middle of the night (Yeah)

[Bridge]
And I wonder if you think about me, too
Where we used to go, what we used to do
And I wonder if you're crying out inside, oh yeah
(From the breaking of the day to the middle of the night)
(From the breaking of the day to the middle of the night)
Oh whoa
From the breaking of the day to the middle of the night

[Chorus]
I try to forget about you, baby (I try)
And I die when I think of you with someone else and
I don't know why (I don't know why)
I don't know why you're dancing in my mind (Yeah)
From the breaking of the day to the middle of the night
I try to forget about you, baby (Baby, baby)
And I die when I think of you with someone else and
I don't know why, I don't know why you're dancing in my mind
From the breaking of the day to the middle of the night
All the time
From the breaking of the day to the middle of the night
All the time
From the breaking of the day to the middle of the night

[Intro: Bad Bunny & Katy Perry]
B-B-B-B-B-Bad
¡Ay, Bunny!
Play N' Skillz
Katy Perry
Run!

[Verso 1: Katy Perry]
¿Cómo te llamas, baby?
A little mezcal got me feelin' spicy
I know that we don't speak the same language
But I'm gonna let my body talk for me (Talk for me)
Hola, me llamo Katy
A little mezcal got me feelin' naughty (Let's go)
I know that we don't speak the same language (Woo)
So I'm gonna let my body talk for me (Talk for me)

[Estribillo: Bad Bunny]
Con calma, yo quiero ver como ella lo menea
Mueve ese poom-poom, girl
Es un asesina, cuando baila quiere que to' el mundo la vea
I like your poom-poom, girl (Sube, sube)
Con calma, yo quiero ver como ella lo menea
Mueve ese poom-poom, girl
Tiene adrenalina, en medio 'e la pista, vente, hazme lo que sea (¡Woo!)
I like your poom-poom, girl (¡Hey!)

[Verso 2: Katy Perry]
Dress up with my girls, on the hunt tonight
Got a feelin' I'ma catch a wild one
And I know that I'm not typically your type
But you never had this kind of stimulation
All eyes on me when I light up the room
You play the right vibe and my body will move
Easy baby, I see you're in the mood
Me too (¡Woo!)

[Estribillo: Katy Perry]
Con calma
I see you're lovin' the way I work the floor now
I got the poom-poom, boy
You could be my Puerto Rican dream, and I'll be your California gurl now
I got the poom-poom, boy
Con calma
I see you're lovin' the way I work the floor now
I got the poom-poom, boy
You could be my Puerto Rican dream, and I'll be your California gurl now
I got the poom-poom, boy

[Verso 3: Bad Bunny & Katy Perry]
Tú tiene’ candela y yo tengo la vela
Llama el 911, se están quemando las suela'
Me daña cuando la faldita esa me la modela (¡Ja!)
Mami, estás enferma, pero tu show no lo cancela'
Te llaman a ti la reina del party
Mucha sandunga tiene ese body
Tírate un paso, no-no-no pare (¡Woo!)
¡Wow! Dale, dale (Yo')
Somos dos bandido' entre la rumba y romance
Y zúmbale DJ, otra ve' pa' que dance
Échale, échale, échale pa'trás
Échale, échale, pa'lante y pa'trás (Hey, eh, hey)

[Estribillo: Bad Bunny & Katy Perry]
Con calma, yo quiero ver como ella lo menea (Con calma)
Mueve ese poom-poom, girl (Girl)
Es un asesina, cuando baila quiere que to' el mundo la vea
I like your poom-poom, girl
Oh, con calma
I see you're lovin' the way I work the floor now
I got the poom-poom, boy
You could be my Puerto Rican dream, and I'll be your California gurl now
I got the poom-poom, boy (¡Woo!)

[Verso 4: Bad Bunny & Katy Perry]
Come with a nice young lady (Let’s go)
Intelligent, yes, she gentle and irie (¡Fuego!)
Everywhere me go me never lef' her at all-ie (¡Dile! ¡Ja!)
Yes-a Bunny Snow me are the roam dance man-a (Ay, Papi!) (Snow)
Roam between-a dancin' in-a in-a nation-a (Prr-prr-prr)
You never know say bunny me Snow me are the boom shakata (¡Ja! ¿Qué-qué-qué-qué?)
Me never lay-a down flat in-a one cardboard box-a (¡Sube, sube!)
Yes-a Bad Bunny me-a go reachin' out da top (Hey!) (Ra!)

[Estribillo: Bad Bunny & Katy Perry]
Con calma, yo quiero ver como ella lo menea (Menea)
Mueve ese poom-poom, girl (¡Woo! Girl)
Es un asesina, cuando baila quiere que to' el mundo la vea (Oh, yeah)
I like your poom-poom, girl
Con calma
I see you're lovin' the way I work the floor now
I got the poom-poom, boy
You could be my Puerto Rican dream, and I'll be your California gurl now
I got the poom-poom, boy

[Intro]
Hello, can I speak to...
Oh, never mind
So won't you? Will you be my cherry?
So come on talk to me, talk to me
Will you, will you be mine?
1, 2, 3, let's go

[Verse 1]
Down the subway, you looked my way
With your girl gaze, with your girl gaze
That was the day everything changed
Couldn't stay the same
Now it's Tuesday and I'm thinking
'Bout to tuck in, 'bout to tuck in
Telling myself that it's cheating
But it's something else

[Chorus]
Even though I'm satisfied
I lead my life within a lie
Holding onto feelings
I'm not used to feeling
'Cause, oh, they make me feel alive

[Verse 2]
When they tell you that you've got to stay the same
Even though you're not yourself
And you've got somebody else
When they tell you that you've got yourself to blame
Even though it's not your fault
But your heart just wants to know, know
[Pre-Chorus]
Down the subway, you looked my way
With your girl gaze, with your girl gaze
That was the day everything changed
Now it's something else

[Chorus]
Even though I'm satisfied
I lead my life within a lie
Holding onto feelings
I'm not used to feeling
'Cause, oh, they make me feel alive (Oh, they make me feel alive)

[Post-Chorus]
So won't you? Will you be my cherry?
So come on, talk to me, talk to me
Will you, will you be mine?
I see you watching me, will you be mine, baby?
Will I be your cherry?
So come on, talk to me, talk to me
Will you, will you be mine?

[Bridge]
With one look you take me back to everything I used to be
When everyone was seventeen with no ID, no ID
Now I wanna love myself
'Cause nothing else is guaranteed
'Cause inside I'm still the same me with no ID, no ID
Won't you be my cherry now?
[Chorus]
Even though I'm satisfied
I lead my life within a lie
Holding onto feelings
I'm not used to feeling
'Cause, oh, they make me feel alive

[Chorus]
Even though I'm satisfied
I lead my life within a lie
Holding onto feelings
I'm not used to feeling
'Cause, oh, they make me feel alive

[Post-Chorus]
So won't you? Will you be my cherry?
So come on, talk to me, talk to me
Will you, will you be mine?
I see you watching me, will you be mine, baby?
Will I be your cherry?
So come on, talk to me, talk to me
Will you, will you be mine?
I see you watching me, watching me

1. take yourself home 4:09
2. easy 3:47
3. boy 4:23
4. could cry just thinking about you 0:52
5. stud! 3:30 [E]
6. try again 2:52
7. better now 3:49 [E]
8. rager teenager 3:22 [E]
9. done for me (feat. Dua Lipa) 3:00
10. in your eyes 3:58
11. in a dream 3:49 [E] 

1. "Get Away" - 2:37
Writers: Lauren Palmer, Ludwig Goransson, London Holmes
Producers: London on da Track

Audio & Lyrics:

2. "Good Together" - 3:59
Writers: Lauren Palmer, Claude Kelly, Nija Charles, Harmony "Babyface" Samuels, London Holmes
Producers: Harmony "Babyface" Samuels, London on da Track

Audio & Lyrics:

3. "Easy Breezy" - 2:37
Writers: Lauren Palmer, Alejandro Villasana, Todd Cooper, Romika Faniel, Frederic Alexander Brewer
Producers: D.A. Got That Dope

Audio & Lyrics:

4. "Something Real (feat. Chris Brown)" - 3:03
Writers: Lauren Palmer, Nija Charles, Christopher Maurice Brown, London Holmes, Steven Jordan
Producers: London on da Track, Stevie J

Audio & Lyrics:

5. "Keke's Drunk Tale (Interlude)" - 0:49
Writers: Lauren Palmer
Producers: London on da Track

Audio & Lyrics:

6. "Comeback" - 3:10
Writers: Lauren Palmer, Lauren LaRue, Samuel Gloade, Joelle James
Producers: 30 Roc

Audio & Lyrics:

7. "11:30" - 1:51
Writers: Lauren Palmer, Kaitelyn White, Terrence Henderson,  London Holmes
Producers: London on da Track

Audio & Lyrics:

8. "Let It Rain (feat. Ty Dolla $ign)" - 3:06
Writers: Lauren Palmer, Tyrone Griffin Jr., Nija Charles, London Holmes
Producers: London on da Track

Audio & Lyrics:

9. "Bossy" - 3:20
Writers: Lauren Palmer, Alexander Lloyd, Che Olsen, Latasha M. Williams, Christian J. Ward
Producers: Hitmaka

Audio & Lyrics:

10. "Dysfunctional" - 4:00
Writers: Lauren Palmer, Nija Charles, Louis Kevin Celestin, Pharrell Williams
Producers: KAYTRANADA, Pharrell Williams

Audio & Lyrics:

11. "Light Signal" - 1:32
Writers: Lauren Palmer, London Holmes, India Perkins
Producers: London on da Track

Audio & Lyrics:

12. "Let You Go" - 2:53
Writers: Lauren Palmer, Naija Charles, London Holmes
Producers: London on da Track

Audio & Lyrics:

13. "I Don't Belong To You" - 3:59
Writers: Lauren Palmer
Producers: London on da Track

Audio & Lyrics:

14. "Grieving (feat. Sam Hunt)" - 3:50
Writers: Lauren Palmer, Sam Hunt, Ryan Tedder, Jack Antonoff
Producers: Ryan Tedder, Jack Antonoff

Audio & Lyrics:

15. "Lost" - 4:10
Writers: Lauren Palmer
Producers: London on da Track

Audio & Lyrics:

cc: @jackgrande

The music video starts with Keke being surrounded by a field of flowers. Flowers that are vibrant, bees that are buzzing, pollen that's yellow as ever. The instrumental rises as the camera continues to zoom into her beauty around the flowers. Keke is wearing a designed and loosened cotton dress striped down, with natural makeup applied.



Keke opens her eyes into the abyss surrounding her. She looks confused until she looks out into the distance. The distance has a man dressed similar to a tall, built man. The sight was unknown and strange to Keke as the figure was standing in the field of flowers. Keke starts to recite the first verse of Get Away as she acknowledges this unknown figure.



Keke starts to walk towards this mysterious person, as nature lives on around her. The birds start chirping louder as Keke gets closer to this mysterious person. The nearby ocean begins to produce waves that are lively and bright. The sun gets brighter and brighter. The grass starts to interact with the surrounding wind heavily as their energies mate.



A cut scene happens in between this, which are flashbacks to when Keke was initially sleeping in the bed of flowers. The camera tries to go into her mental state, which is bare, and empty. The emptiness can be seen as a symbol of loneliness, similar of stars setting in the night sky. However, it seems something woke up her mind to see this specific day and time.



The cut scene goes back to Keke finally interacting with the fire, as she instantly gets mesmirized by it. The visual has keke getting somewhat hypnotized by the said figure, and the figure touches her body. Keke not being in the right state of mind, just stares at him while he takes her mental and physical control.



Once the figure has control of Keke, her lets her back into her state of mind as she remains infatuated with him. The climax of Get Away ends as both the figure and Keke walk into the sun with the said field of flowers surrounding them.